Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Sunday, 16 October 2022

Short Story: the Scratchcard Man

 Hello and welcome to this entry about a short story I wrote some years ago.


The Scratchcard Man made its publication debut back in 2013’s Oh Taste And See. It tells the story of an individual going from door-to-door apparently selling lottery scratchcards. However, the story turns incredibly dark at the end, leading to brutal bloodshed.





This wasn’t actually the first incarnation of the story. I originally wrote it as The Ticket Man many, many years ago when I was a teenager making a bit of extra pocket money going, as the titular character does, from door-to-door selling scratchcards for a local charity. Every time the door was answered, the resident would call back into the house, “The Ticket Man’s here!” I was just starting to get into this whole writing lark and, being an avid reader of Stephen King, I sort of took what I was doing and “Kingified” it. I still have the original version kicking around in a folder somewhere, typed up on some lined paper that I probably purloined from school. Who knows, one of these days I might make a recording of it just for fun…


Don’t forget to visit my website www.aschambers.co.uk for more details about my books. 

You can subscribe to my newsletter here for up-to-date details regarding all my writing and appearances.

You can check out my Patreon Book Club for advanced screenings of my videos and free books.


Take care and keep looking out for what lurks in the shadows…

A.S.Chambers.


Tuesday, 16 August 2022

Short Story: Extraction

       Greetings all and welcome to this little article about one of my shortest pieces, Extraction.




This tiny piece of flash fiction is taken from my first horror anthology Oh Taste And See. I’ve always been a fan of short-form fiction and poetry. When I was a teenager, I was a classic reluctant reader. I never read poetry over half a page long and novels were way beyond my interest. Instead, I would plough through Stephen King’s short story collections such as Night Shift and Skeleton Crew. It was only later, as my reading increased in confidence, that I started to venture into the world of novels. As I did so, my own writing style began to grow and evolve. 


But, I never left the world of small-form behind. Even now, as an adult, I still love to pick up a novella or a short story and read it in one sitting between household chores or my own writing projects. I love how it takes skill and ruthlessness to pare a large piece down to bare bones and be left with an understandable piece of fiction. Extraction was my first attempt at this. From what I recall, I had been watching The Andromeda Strain. There is a scene in that film, near the end, when one of the scientists has to run to shut down the destruct sequence for the base and I think that was sort of an influence for the little scene that Extraction sets for the reader.


I hope you enjoy my reading of it. You can find this story in its original place in Oh Taste and See, and also in my Macabre Collection. There are purchase links over on my website.


Don’t forget that I have Patreon Book Club where you can access all these videos long before they reach this blog. Also, Seraph tier members get free books for joining as well as free signed copies of every new material book that I publish. You can find out more details here.


You can also visit my website www.aschambers.co.uk for more details about my books. 


You can subscribe to my newsletter here for up-to-date details regarding all my writing and appearances.


Take care and keep looking out for what lurks in the shadows…

A.S.Chambers.


Friday, 15 April 2022

Short Story - Dog Days

 Welcome to this month’s short story where Yours Truly reads the short, quirky zombie story, Dog Days.





This particular story was one of those sit down and write it in one session stories. I was in the process of compiling a selection of short stories for my first anthology Oh Taste And See and decided that I was a few short, so spent a few days bashing out some random ideas that I had bouncing around in my head. One such idea was centring a story around a zombie dog. I decided that I wanted a character that would be gruesome to behold but would be devoted to its creator. I then started to ponder about what said owner might want to do with their new found zombie. The obvious sprang to mind: eliminate someone who let their dog defecate everywhere and eradicate the annoying kids from next door.


Okay, so obvious to me…


As a result, Dog Days  was born.


Fun fact, I normally see this story in a cartoon panels when I’m reading it, with the diary writing protagonist looking somewhat like Dennis the Menace’s dad from the Beano. In fact, at some point I would love to see it turned into a mini comic strip, but that would require me to have a few more hours in the day than I actually posses. So, for now, it remains in Oh Taste and See and the Macabre Collection: Volume One, both of which there are links to here should you be tempted to purchase a copy.



Don’t forget to visit my website www.aschambers.co.uk for more details about my books. 

You can subscribe to my newsletter here for up-to-date details regarding all my writing and appearances.

You can check out my Patreon Book Club for advance screenings of my videos and free books.


Take care and keep looking out for what lurks in the shadows…

A.S.Chambers.

Saturday, 9 April 2022

Spalluccipedia: Kanor

 Welcome to this month’s little Spalluccipedia article. Today, I want to have a chat about the big bad of Sam’s world, the hooded, brooding figure that is Kanor.





For me, something that can really make a story is having a good villain of the piece, whether it be your Lex Luthor or Kingpin of the comic world or, say, a Sauron of a more literary universe. One thing, though, that really gets the audience to connect to the villain, is understanding why they do what they do. We see that with the above-mentioned adversaries and, as Sam’s world progresses, we start to get hints of that with Kanor. As I say in the video, this is a person who halted paradise. He stopped heaven and Earth from becoming one. Surely he had to have a very good reason?


His creative origins go back to my teenage years when I was writing stories about this vampire called Claw who was battling through a post-apocalyptic land in order to take out its ruler, Kanor. These stories, over the years, have morphed into the Bobby Normal series and the Divergent Lands series and, as we travel through the post-Divergence land that Kanor created, we see that it truly is a horrible place in which to live as a human. 


One thing that I am really enjoying doing with the big bad of the Spallucciverse is leaving a breadcrumb trail of clues as to his identity. I would love to hear your theories in the comments below.



Don’t forget to visit my website www.aschambers.co.uk for more details about my books. 

You can subscribe to my newsletter here for up-to-date details regarding all my writing and appearances.

You can check out my Patreon Book Club for advance screenings of my videos and free books.


Take care and keep looking out for what lurks in the shadows…

A.S.Chambers.


Tuesday, 15 March 2022

March Story - 53, Bell Court


Welcome to this month’s short story. This month I have a video attached of Yours Truly reading  the horror story 53, Bell Court. 





This particular story is one of my early ones and is a story for which I still feel a lot of affection, mainly because it’s based on true events. When I was a teenager, I, like many others, had a paper round. In fact, I had numerous rounds for my local corner shop that was opposite my old primary school in Wellingborough. Now, if you ask me to describe most of the residences to which I delivered the Evening Telegraph, our local rag, I would not be able to tell you a thing. Not a jot. 


That is, except for one: 53, Bell Court.


The small block of flats was exactly as it is described in the story. There was that stale fusty smell, dead plants and even a flickering fluorescent light on a timer that never gave me long enough to get to the door and back before it clicked off, plunging me into the dark, awaiting a boney hand to come clamping down on my shoulder as I ran away. 


I think it’s safe to say that this daily dose of fright was one of the things that prompted me to start writing down ideas for horror stories. I originally penned this one when I was about fifteen. It’s evolved somewhat over the years, but still holds the same feeling of dread as it did back then.


I hope you enjoy it.




Don’t forget to visit my website www.aschambers.co.uk for more details about my books. 

You can subscribe to my newsletter here for up-to-date details regarding all my writing and appearances.

You can check out my Patreon Book Club for advance screenings of my videos and free books.


Take care and keep looking out for what lurks in the shadows…

A.S.Chambers.

 

Wednesday, 9 March 2022

March Spalluccipedia: Dave Nichols the Vampire

      Welcome to this month’s little Spalluccipedia article. This month I want to have a chat about a character in my books who is very dear to my heart, the vampire Dave Nichols. 

Like all the Children of Cain, Dave is a very human vampire. He is only recently created after being hit by a car outside a comic convention in Lancaster and is still very much trying to find his way into this whole new supernatural existence.





At the time of writing this he has appeared in three short stories, The Casebook of Sam Spallucci and Sam Spallucci: Dark Justice. However, 2022 will be a big year for him as we see him come back for at least two more appearances. He will feature briefly in the short story Through The Eyes of a Child in my latest anthology If Ye Loathe Me and he, along with his vampiric colleagues, will return in Sam Spallucci: Fury of the Fallen. Not only that, but keep your eyes peeled in this summer’s release Bobby Normal and the Children of Cain. I don’t want to say too much about that one as spoilers that way lie…


Like I say in the video, he is very much a normal person based upon all the good things I see in normal people that I know. All too often in life we find ourselves thrown into situations where we are expected to sink or swim. I try to bring this feeling across with Dave as he navigates his way through his new life. It is noticeable that this parallels what I do with Sam, who has also had his life turned upside down by the supernatural but, whereas Sam is left adrift on his own, Dave has his family of vampires around him to guide and support him. It will be interesting to see how both men develop on their journey towards the Divergent Lands.


Just a quick apology for the quality of the video with this article. It was filmed in March 2020 a few days before I realised I had Covid and retired to bed for three weeks. Hence the quality is a touch grainy and I really do look like death, lol. 


Who's your favourite character in the Spallucciverse? Please leave a comment down below.



Don’t forget to visit my website www.aschambers.co.uk for more details about my books. 

You can subscribe to my newsletter here for up-to-date details regarding all my writing and appearances.

You can check out my Patreon Book Club for advance screenings of my videos and free books.


Take care and keep looking out for what lurks in the shadows…

A.S.Chambers.


Wednesday, 2 March 2022

March Update from A.S.Chambers

 Good morning one and all and welcome!

Here's a quick update of what I've been up to over the last month and what is coming up.

So, last month saw the successful Kickstarter campaign for If Ye Loathe Me.  This will be out late March/early April and all Seraph members of my Book Club will receive a signed copy as part of their membership as well as a shout out on the dedication page. If you're interested in this why not have a look here?

Out now is the omnibus Macabre Collection: Volume One. I'm currently posting out all my pre-orders. If you fancy a read of my seventeen short horror stories, you can either grab a copy at Amazon or a signed copy through my website.





WIPs include Out Of The Depths, my next anthology which is due out early next year. Taking the usual format, there will be a selection of shorts, some of them timing into the Spallucciverse. More on that another time.

Next week, I will begin work on Bobby Normal and the Fallen, the penultimate book in the BN series. 

But, the biggest news is that I have finished all the major edits to Sam Spallucci: Fury of the Fallen. This one sees Sam tussling with Asherah and Asmodeus along with a genie, a ghostly guide and some possessed books. Publication for this will be late 2022.

Something I'm really excited about for March is that Im going to back on the convention circuit. I've got two this month. Durham is Sunday 6th and Sheffield is Sunday 13th. You find out more details here





Don't forget, that I do have a newsletter that comes out about the 15th of each month. It's an excellent way to keep up to date with all my forthcoming book launches and appearances. It literally takes one minute to sign up right here.

Have a great day and keep in touch!

A.S.Chambers.

Thursday, 24 February 2022

Writing Workshop: Reviewing

     I want to have a little chat this month about reviewing. Reviewing is a crucial part of the writing process. It’s when we routinely sit down and reread what we have already written and should become a part of your daily writing routine. 



Why is it so important? There are two main reasons.

The first is that it helps refresh our memory as to where a story is going. If, before we start our writing for the day, we read through the scene that we wrote the day previous, it gives us a clarity as to what were thinking and helps us remember where the plot was headed and how we were developing the characters. This stops us from throwing in weird random plot changes or character quirks that readers often find off-putting. There is nothing more frustrating when reading a story where a character’s personality does a sudden u-turn or the plot leaps about all over the place. Reviewing can help nip this in the bud right at the beginning of the creative process.

The second is that reviewing plays a role in a constant editing process and therefore makes any large edit later on so much less of a burden. If we review something we wrote 24 hours previous with fresh eyes, we will pick up weird little typos, phrases that we might be overusing, inconsistencies in spellings of names — all that sort of thing. These are the sorts of mistakes which really slow down that large edit when we’ve finished the story at the end of the first draft. If we clear a lot of these annoyances out of the way as we go along, then that large edit becomes far more enjoyable as we are concerned more with polishing the story than locating masses of hidden errors.


I have a lot more of these videos over on my YouTube channel. I also have an active Facebook Page and a Group as well as the obligatory Twitter and Instagram. Should you want to receive monthly updates about my writings and escapades, then you can sign up to my monthly newsletter here

You can find more details and links to just about everything I do over at my website: www.aschambers.co.uk


Wednesday, 9 February 2022

February Update - New Kickstarter and new collection.

Good morning from a chilly but sunny Lancaster!


I have two very exciting pieces of news to share with you this month. The first is that the Kickstarter campaign for If Ye Loathe Me is not only live, but also reached its target in just over two hours. Also, it has already surpassed my previous anthology Hide Not Thou Thy Face in the amount of money raised. At a time when folks are having to tighten their purse strings following the effects of lockdowns and pandemics, I am absolutely blown away by this generosity. I send my heartfelt thanks to everyone who has backed it so far and, if you want to dive in and grab yourself a copy, along with one of the numerous rewards that accompany them, then please click on the link here.








But, If Ye Loathe Me will not be my first bookbaby to be birthed in 2022. That honour goes to the Macabre Collection: Volume One. A few years ago, I published The Children of Cain Vampire Omnibus, collecting together all the vampire stories from my first three anthologies. I thought it would be only right to do the same for all the other weird and wonderful tales from those books. So for the first time, all seventeen horror shorts are bound together in one volume. I absolutely adore the creepy clown artwork and will be premiering it at Durham Comic Con on 6th March. 







If you want to order a signed copy direct from me, please drop me a line through the contacts form over at my website here. Alternatively, you can pick them up from Amazon by following the links on my site here.


Right, I’m off for a quick hike out up to the Crook O’Lune while this nice weather holds. Take care and chat soon.


A.S.Chambers.





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Thursday, 27 January 2022

Writing Workshop: Be Flexible

So, hands up if you’ve set out on a path to write a particular story in a particular way. You’ve sat down and planned it all out, right to the smallest detail. You’ve micromanaged the interactions of your characters. You’ve set in stone themes that you know need to be explored. Hell, you’ve even got a title and a cover sorted for your grand project.


Then, horror of horrors, your main character goes and does something expected. They fly off piste and find themselves in a situation for which you hadn’t bargained, experiencing emotions that you didn’t realise that they have, hurtling to a conclusion that you didn’t foresee.





What do you do? It is very tempting to try and drag them back to this Magnum Opus that you had planned, to bring them back to the Light and convert them to the one true religion of the way you see their universe running. You can insert twists and turns that will force them to comply with your intentions, making their life hell until they finally bend to your will as their creator.


The problem is, in the long term, it just won’t work. You end up sitting staring at your screen, gawping at the words you have spent the last month frantically typing, trying to bring your story back on track and you come to the devastating realisation that it is utter garbage. In trying to divert the story back to where you want it to go, you have made up unrealistic scenarios, created over-convoluted plot twists and changed your protagonist into a warped and hideous two-dimensional simulacra of what you actually intended them to be. 


And, this is where the dreaded writer’s block sets in. You have dug yourself into a hole and thrown away the shovel. There is no way out. You just sit there and weep.


However, it is all easily avoided. If your story takes a turn that you did not expect, then explore that twist. Never forget that writing is a creative art form. It is not a precise science where an equation states that if you apply one element, another must automatically follow. Let your characters evolve like letting a child grow into their new experiences. Don’t be afraid to play around with new ideas. Write them up, examine them, see if they work. If they’re absolute pants, then save them somewhere and try again to see what else might happen. 


It is crucial to be flexible. In doing so, you will let your story, and indeed your own writing style, evolve in a much more natural way, producing deeper content and far more believable stories.




www.aschambers.co.uk



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Thursday, 30 December 2021

Writing Workshop: Location


I just want to have a quick word today about the importance of location when it comes to writing, especially in works of fiction.





It is supremely important when we set our story somewhere that the place where it is set actually feels believable. This can be a real tripping point for books. We may be enjoying the characters, the dialogue and the plot, but there is something that feels somewhat askew, something that we can’t quite put our finger on. More often than not, it is the place where the story is taking place, most likely because it feels vague or unbelievable. It could be that the author has set a story in a city that they have never visited, so it lacks the smell of local cuisine or the sights that one would expect to see from that place’s landmarks. This would be like me setting my stories in New York. Sure, I’ve seen it on the television and in films, but there’s no way that I could do it justice. It would feel like a cardboard cutout of the Empire State Building and the Statue of Liberty which have been smeared in hot dogs and bagels! Or it could be a fantasy land where the writer is basically making it up as they go along, so the reader just does not feel engaged with a wishy washy background to an otherwise decent tale. The reader just sees elves and orcs battling it out on a landscape which is continually changing shape and not adhering to ever-changing arbitrary rules.


So, my suggestion, when you are starting out, is to take a place that is familiar to you and use that. It could be your country, your town or even your house. Explore details of the surroundings and look at what they mean to your characters. Include things about these places that are special to you, and your love (or even, hatred) of those places will shine through in your writing and help the reader to engage with your story.


This is why I set the bulk of my stories in my hometown of Lancaster. It is familiar to me; I know all its little quirks and details. I can then bring these in a neat little package to my readers, the vast majority of whom have never been here, and they can immediately pick up a sense of the city and its surroundings. Plus, they can see how the location affects my characters such as Sam Spallucci, my investigator of the paranormal.


Have a go. See how you can get on. Take somewhere that really means something to you and just play with it.


www.aschambers.co.uk.





Wednesday, 15 December 2021

Spalluccipedia - Sam Spallucci

     I often get asked, "Where did the idea for sam Spallucci come from?"

    The short answer to this is a teenage blend of Mike Hammer and, amongst other movies, a pirated copy of An American Werewolf in London. I was a huge fan of the former and terrified by the latter (I still can't open the front door if it's dark and the Muppets are on TV. I'm sure you know which scene I'm referring too...). I was also heavily influenced by an old Hammer werewolf whodunnit The Beast Must Die, as I explained in my little video from January 2021.



    So, one evening, when I should have been doing my chemistry homework, I sat down at this ancient Bulgarian typewriter that my dad had obtained from god knows where and wrote this, what I called, a novel (it was in fact just five or six pages…) about a fedora wearing private eye who gets called in to track down a werewolf that’s rampaging through a small village. The next day, I showed it to my mate as we sat at the back of the chemistry lesson avoiding being asked questions on a subject for which neither of us had prepared. He read it through and said that he really enjoyed it, especially the detective. He said that it was like Sam Spade meets the Wolfman. I took this as high praise indeed and as I had actually neglected to give my detective a memorable name, this suggestion got me to thinking. Sat on the other side of me was a girl named Maria Gallucci. I took Spade and Gallucci, then just glued them together and Sam Spallucci, investigator of the paranormal was born.

    Sam sort of stayed like that for about ten years or so until I drifted back to him in my twenties and started playing around with certain scenarios and realising that he could fit into the same universe as Fallen Angel, another novel that I was chipping away at. So it was that I finally knuckled down in my mid-thirties and, just after my fortieth The Casebook of Sam Spallucci was finished.

    At the time of writing this, I'm up to Sam Six (Bloodline) with four more due for release over the next few years before he catches up with the events of Fallen Angel. So, he's got a way to go yet and I hope we enjoy the journey alongside Lancaster's very own investigator of the paranormal.


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Monday, 21 June 2021

Bobby Normal 2 is on its way!

Welcome to a slightly later than normal June update!

The month of May proved to be incredibly busy, albeit mainly on the editing front rather than the writing.


With regards to the second Bobby Normal book (Bobby Normal and the Virtuous Man) this is now all finished, formatted and ready to go. As you can see from the proof that dropped through my letterbox yesterday, I have another amazing piece of art from Liam Shaw for the cover. It is looking like the book should be published in August with the Kickstarter launching on 12th July. Number three, Bobby Normal and the Children of Cain is well under way and is steadily growing whilst I carry on with the huge task of editing Sam Spallucci: Bloodline.



Talking of which…


The main edit of Bloodline is now finished and I am onto the tidying up/proofreading stage. I am incredibly pleased with this one as it has taken me just a year from start to finish, which is a record for a Sam book. I have awesome cover art, again from Liam, and will be showing this off in a couple of months. All under wraps at the moment. There will be a huge Kickstarter for this project in October with lots of giveaways and, don’t forget, all Seraph members in my Book Club will receive a signed copy of this and BNVM as soon as they are published.


Another book they will receive will be If Ye Loathe Me, my next anthology. This is also down to the fine edit stage and should see the light of day about February next year, around the same time as  Bobby Normal and the Children of Cain. (In fact this could very well be a double release.) There are some cracking stories in here, including an extra epilogue to Bloodline and three (yes, three!) prologues to next year’s Sam Spallucci: Fury of the Fallen, when we follow the traumatic fallout from Bloodline and witness the arrival of fallen angels Asherah and Asmodeus in Lancaster. But enough on that for now, as that way spoilers lie…


Anyway, take care and keep looking for what lurks in the shadows!


Austin.




Monday, 15 February 2021

Bobby Normal is on his way!

Greetings one and all!

I hope this newsletter finds you safe and well as we continue to dip a tentative toe into 2021, hoping that we find the water pleasantly warm and not infested with starving piranhas.


So, over the last month or so, I’ve been hinting at my next project, Bobby Normal and the Eternal Talisman. I thought now would be a good time to fill you in on some details regarding this new venture for me. 


BNET is going to be the first of five novellas set in the future, after the Divergence has come about. Kanor has risen, unleashed his constructs (and a few more horrors besides) and humanity has been reduced to a pitiful remnant. Into this post-apocalyptic scenario are born our main character, Bobby, and his sister Katy. Bobby is early teens and his sister is a feisty eight-year-old. When the series start, they are eking out a meagre existence in the village of Irlingbury, a few years after their father was executed by Shadow Wraiths, a type of uber-construct. 


Not only is life hard for Bobby and Katy, constantly having to hide from the bully Teller whose father is a quisling for the tyrannical rule of Kanor, but one day they find themselves tasked with having to deliver the Eternal Talisman into the hands of the Man of Virtue who is currently residing in the neighbouring village of Orchester. It has been said that the talisman will be a tool that will help him to destroy the “black dragon”, Kanor.


BNET tells the story of Bobby and Katy as they journey out of their home village for the first time in their lives and the adventures that they have on the way to Orchester. They are chased through derelict sewers by a horde of rats, meet an elderly enigmatic traveller known only as Cutter and are constantly tormented and tested by the vile Teller, leading to a horrific and unexpected climax.


I thoroughly enjoyed writing this novella, which is currently in its formatting stage and I adore the amazing artwork that the talented Liam Shaw devised for its cover. It will be published this Easter and I hope to have a Kickstarter up and running in March to cover the publication costs. More on that next month but, in the meantime, all my Seraph level patrons are currently enjoying teaser extracts from the book in the run up to its publication and they will receive a signed copy through their letter boxes as soon as it sees the light of day. If you want more details about becoming a patron, then please visit my Patron page.

 

Anyway, that’s all for now. I hope February treats you and yours well and I look forward to chatting to you next month.

 

All the best, 

Austin.

Wednesday, 4 November 2020

Hide Not Thou Thy Face is Published.

It's with great glee that I can announce that my latest anthology Hide Not Thou Thy Face was published on the 2nd November. Like the preceding four collections, it contains a number of short horror stories, some to make your squirm, others to make to chuckle and a few to hopefully make you dash out and invest in the Sam Spallucci books.


I'm not going to waffle on about it toooooo much here as there are details and links over on my website: www.aschambers.co.uk. So please please hop over there and check it out.

What I am going to do, though, is give you a glimpse into the one of the stories.

As most of my readers know, I am a huge Mike Oldfield fan and quite often have his music playing when I'm writing. One of my favourite tracks is off Tubular Bells 3 and is entitled Far Above The Clouds. If you've not heard it before. Watch the clip over on YouTube. I listen to this track a lot! I have it on repeat so much. So it was only right that I ended up creating what a story that I see in my head whilst listening to the music. I mentioned this a few weeks ago in the Mike Oldfield Fans group over on Facebook and I was immediately asked if I could share the story with them. I promised them that I would when the book was published, so here it is.


I hope you enjoy it!



Far Above The Clouds.

 

Rain lanced down from the blackened sky above, its stinging stair rods darting all over the man’s upturned face. He did not mind the thousands of little painful pinpricks. He didn’t want to move. He wanted to stay rooted to the same spot for the rest of his life. Let the rain pour down upon him for eternity. Let it bring minerals and elements that would calcify him, turn him to a pillar of stone.

But he could not look back.

He could not stay.

He heaved his hefty bag and pulled it up over his shoulder. 

What the bag contained weighed heavy on his body, a burden. Only he knew what was within the faded canvas material. Only he had peered inside and seen the most wondrous things.

They were his to own and his to keep. They were his secrets.

Deep, dark, wondrous secrets.

He had tried to share them with the people that he had left behind, down in the valley. He had told them of marvels and fantastical things. But they had not listened. They did not want to comprehend that their salvation, their redemption, was so close at hand.

So he would leave now, and keep his beautiful secrets to himself alone.

As for those who had not listened…

The man placed one foot in front of another and began his long walk up the mountainside, away from those who would not listen, did not care to believe, the light shale crunching under his determined footstep. Still the rain fell out the grey sky, dampening his hair, wetting his clothes, but that did not matter. All that concerned him was what lay at the very summit of the mountaintop, enclosed within the cave at its distant peak.

No one from down below ever ventured there. They were more enrapt with the tiny devices that they held in their fidgeting, nervous hands. They claimed that these gadgets set them free, informed them, liberated them. But the man knew different, knew the truth. They had become enslaved to the faceless ones behind the screens, the ones who watched and listened. The ones who controlled what it was that the people learnt, what they listened to, what they saw. No one knew who these nameless entities were, nor did they care. They possessed shiny, wonderful toys that promised things of wonder.

They did not perceive that they were actually slaves.

They had not listened to the truth.

They were doomed.

So the man proceeded upwards through the all-consuming rain, his heavy bag of secrets slung tight over his aching shoulder. He journeyed up higher than anyone else that lived in the glittering city down below had ever been, to a place that he had not visited for many, many years. The air grew thin and the rain dissipated as he breached the cloud-line that guarded the distant summit, his Ultima Thule. He knew that, once he passed through this membrane of mist, there would be no turning back. He would be unseen by those down below, forgotten (if he were not already). 

But he pushed on for he still had far to go, one footstep after another. 

It was so terribly difficult to see as he walked through the cloud. He remembered his father bringing him up here, when times were simpler. “Concentrate on the path,” the older man had said. “One step at a time and everything will become clear.” And that was how the man had lived his life; concentrating on the path, one step at a time. That was how he had gathered his precious secrets and discovered the terrible truth.

The life in which those down below dwelt, was utterly pointless.

People woke in the morning. They stretched their arms and breathed in deep the air around them, but they no longer felt their hearts beat, their pulses surge. There was no excitement. There was no true joy, no love, no passion. The devices in their hands had removed all this away as they manacled themselves to the people’s wrists, drawing down their eyes to the whirling, swirling hypnotic screens.

This was a vague existence, not a life.

And those entities behind the screens continued to watch, feeding on the people, draining every last drop of soul from their withering bodies. 

The people did not leave their houses. They sat and fiddled on their devices, convincing themselves that they were witnessing great wonders, when all they really gazed upon was a sham, a mockery of life. They did not see the rivers flow, the trees yearn upwards to the rain-giving clouds. They did not care for the cry of the new-born child, nor the laughter of the playful toddler. They were told that these things were irrelevant, annoyances. They were to be shunned, parodied, despised.

But the man loved all these things and he mourned their loss. 

There had been a time when the streets were full of the happy sounds of children playing. There had been a time when a new-born child had been a joy rather than a burden. There had been a time when people had taken pride in a craftsman’s work rather than pressing a button and receiving a pale, cheap simulacra from somewhere far across the globe.

The clouds parted and the man looked upwards towards his Ultima Thule.

It was a place of glory. 

It was a place of sunshine.

He had passed through the veil of water, cleansed and refreshed. 

He allowed himself a small smile, but he was not there yet. The steepest stretch of his journey lay before him and his bag of secrets was so very, very heavy, the worn canvas drenched in the purifying rain. However, he had travelled it before, so many years ago with his long-departed father. They had travelled up as his loving pa had waxed lyrical about what lay ahead, at the very summit, deep in the cave. An incredible thing that no one else knew about. 

Something very old.

Something ancient.

From a time that the people below no longer believed in.

The man felt the strain of his secrets weighing heavily upon his back and he wished that it had not come to this, that he had been able to share them.

But no one had listened.

They had mocked him.

They had scoffed at him.

They had ignored him.

They had thrown insults at him and cast him out, before returning to the dire existence that they so craved. 

So, he knew that he had to perform the task ahead of him, enter the cave that his father had discovered and do what must be done.

As he reached the summit, the sun started to descend and he saw glimmers of light pricking their way through the clouds as the people down below turned on more and more of the technology that controlled their little lives. He looked up and saw the heavens above, a vast wide sea of darkness, dotted with waves and islands of luminescence that would not be visible to those down below. As their harsh, vicious lights scraped away all subtlety and restful night, they would be imprisoned in a false day. They would not rest. They would not surrender their weary bodies to a deep, refreshing slumber. They would toss and turn in their flimsy, creaking beds as the bright lights wormed their way in through their inefficient curtains. They would awake in the morning, tired, grumpy and annoyed before ignoring those around them on their way to work by plugging themselves into their little devices and convincing themselves that this was how it had always been.

But it hadn’t.

And it wouldn’t be once again.

The man reached the plateau at the top of the mountain, far above the clouds and he walked into the comforting darkness of the small cave that was situated atop the peak. He needed no light for there was nothing there over which he could possibly stumble. It was an empty room, containing one solitary item, and he knew exactly where to locate it. He just walked with his hand outstretched until it located that which his father had shown him so many years ago.

His hand clasped around the cold, metallic object, its grip perfectly moulding to his welcoming hand.

And, with not the slightest bit of hesitation, he thrust the ancient switch downwards.

The bells rang out from the mountain top. Over and over they rang as the arcane device cranked itself into life. They were the warning chimes, heralding a new era.

The device rose, slowly into the clear night sky above the sonorous cacophony and the man felt an insistent thrumming from far below his feet, as if the mountain were alive and was preparing itself to speak. Carefully, he traced his steps back out of the cave and looked up at the device, now tall and erect above the summit, its scaffold reaching up to a new world as the rhythmic pounding increased. The man sensed the momentous energy building up far below, from the machines created by those who had gone before, who had suffered the same fate as those who once again had fallen slave to the technologies they had created. 

“It’s an ongoing cycle,” his father had explained to him, all those years ago, “one which can never be truly stopped.”

But the man was trying. He really was.

His hair stood straight from his head and the air tasted of oiled steel as the great device charged itself with its godlike power.

He imagined the people below pausing in what they were doing on their little devices and listening to the sound of the tolling bells chiming from high above, wondering what on earth it could be. They would have no notion of what was to come.

Then the machine’s noise crescendoed and the man felt a great wave wash past him, out to the people below in the illuminated city where they dwelt, trapped in their technological prisons.

And one by one, the lights fell dark.

 

©A.S.Chambers 2020